Sadaharu AOKI - Paris, France
Essentially, my tunnel-vision quest to find the BEST baguette in Paris led me down winding roads and narrow streets, usually the ones untainted by Japanese and American tourists (who I utterly despise for their uncanny ability to turn perfectly beautiful areas into commercial infestations). I sampled tarts to pies to bread to pastries to everything in between. It was nothing short of indulgence sans Dr. Atkins.
While I did enjoy several sit-down meals at some French bistros, I spent most of my trip visiting (and often revisiting) acclaimed bakeries. Which brings me to my next point: One thing to keep in mind, for those of you planning a trip to Paris, sit-down meals consume (pardon the pun) a lot of precious time. Restaurants rarely open until noon and usually close at 3 PM. That doesn't seem so bad, you might say. But, bear in mind that Parisians have a very interesting approach to dining: they WILL spend all three of those hours at their table, sipping coffee and nibbling on their entrees or desserts with no pressure to finish any time soon (and the surprising part of this phenomenon is that waiters don't feel any need to rush their customers out).....which essentially means that, should you fail to GET a table by 12 noon, don't expect to get a table. (It is comforting to know that there exist places in the world where waiters aren't so unduly fixated on restaurant turnover.)
There were days when I did summon the patience to camp out in front of a restaurant and secure myself a table for a three-hour long extravaganza of sit-down dining.....but, for the most part, I was contented with satisfying my appetite with baked goods from local boulangeries. So, in the next few posts, I will try to recreate some of my experiences (and impressions) of various eateries I frequented on my trip to the magical city of Paris......
SADAHARU AOKI - The Japanese have engaged in a lifelong love affair with the French. A healthy love affair, mind you; not one of those unsightly, bloody affairs you find in the weekly Hollywood tabloids. My induction into this intimate transcontinental relationship began at home back in Hawaii with one of my favorite local bakeries, Fujipan. Fujipan opened its doors in the early 90s, billed as a French-Japanese bakery acclaimed for its fresh loaves of white and cinnamon-raisin bread. For my parents and I, it was a favorite afternoon haunt: my father would stop off to pick up a loaf of white sandwich bread for tomorrow's breakfast (I ate it open-faced with thick spreads of chunky peanut butter) while I would drop in for an afterschool snack of gravalox and egg salad sandwiches (crust off, mind you). My mother, the bargain hunter, would make sure to hit the 5 PM rush for the discounted pastries (half-off for assorted baggies of day-old pastries in the discount bin). On special occasions like birthdays, we would order Fujipan cakes. My mother requested the chocolate ganache for hers; I preferred (though not by much) the Japanese cheesecake, which had a refreshing lightness and citric tartness not found in your traditional New York Style Cheesecake.
The Japanese intrigue for French culture is hardly surprising given its reputation for extolling the virtues of posh culture. Japanese tourists are infamous for their strange obsession with Gucci handbags and Versacci anything. One can expect to find hordes of Japanese tourists in posh districts of any metropolitan destination swarming over overpriced European handbags and jewelry to the sheer delight of local proprietors. I only wonder what they do with their stockage of designer purses once they get back to Japan: regifting?
All of this is to confirm my point: the Japanese-French relationship is perfectly organic in a perfectly commercial sort of way. Capiche? So, when I found out about this "posh" pastisserie in Paris by the name of Sadaharu AOKI, you must realize that I was absolutely ecstatic. Doing some initial research into their operations, I discovered that the patisserie most recently branched out to include a sister branch in Port Royal. However, my philosophy that the original is always better prevailed, and so I decided I would visit the branch on Rue Vaugirard (despite my geographical proximity to the former).
Finding the branch on Rue Vaugirard is hardly difficult as it is located (as most of the well-known bakeries in Paris, sans baguette deity Moulin de la Vierge) just a little ways off of Boulevard Raspail. The shop was a lot smaller than I had envisioned, tucked away in a little enclave on this rather nondescript sidestreet. But true to its reputation for being an embodiment of posh Eurasian culture, Sadaharu AOKI does not fail to disappoint. Greeted "warmly" by trendy glass sliding doors, you make your way into the Sadaharu showroom where rows upon rows of artisan pastries are on display like seasonal Gucci purses! And priced accordingly, I might add.
So, here I was, confronting a spread of gorgeous looking pastries, plagued by my habit of indecision (see previous posts). The Japanese store clerk behind the counter looked anticipatingly in my direction, having just finished helping the customer in front of me. She started to pelt me with an onslaught of French to which I summoned up a feeble "bonjour" (the only phrase in French I learned up until that point). Her face registered some mild confusion at my inability to speak the language. Great, I thought, maybe I'll just point my way through this one. (I've found that there exists a fairly significant Japanese population in France that speaks fluent French and Japanese but understands nary a word of standard English.)
Fortunately for me, the storeclerk was not one of those. Having recovered from her intial shock of having discovered me for the imposter I was (and still am), she started to communicate with me in rather comfortable English. Granted, this only made me feel mildly worse at having now become this woman's linguistic pity project. But, I reminded myself, I'm doing this all for the pastries, putting personal dignity aside. "No eclairs?" I inquired. She shook her head and explained that desserts are on a rotational basis - I would have to come back another day for the black sesame eclairs I had been looking forward to.
I decided on the two pastries I had been eyeing for quite some time now: the Flan Sesame Miel, a substitute for the absence of sesame eclairs, and the Duomo Macha Azuki. "Sur Place," I informed her in my botched French, indicating with my hands that I intended on eating in-house. (I hear that the French are more cordial towards foreigners who are willing to squeeze a few phrases of French into conversation. Though, in my case, I'm not sure if that meant a few good phrases of French or a few botched phrases of unlearned French.)
I was graciously invited to take a seat in one of the two dine-in booths located in the shop. The store clerk, it seemed, had taken a sudden warmness to my being there. I soon discovered why. "Tea?" she asked me, gesturing to a menu she had put in front of me. I shook my head politely no. "Tea?" she asked again, following this question with an explanation of their formal dine-in policy: dine-in customers are required to order a beverage with their desserts. Doing some quick calculations in my head, I realized that this would bring me past the 10 euro mark. Slightly annoyed but realizing that this could substitute for a more adequate lunch, I decided to go ahead and order the house-special Melange Tea, since I had already comfortably colonized the tiny dine-in booth.
I waited another fifteen minutes or so for my pastries to arrive at my table, though I'm not quite sure why it took so long since it was apparent upon their delayed arrival that the clerk had done little if anything as far as presentation was concerned.
While I waited, I indulged in my mandatory cup of melange tea. Despite my initial opposition to the fact, the tea was quite pleasant. Its orange notes were remarkably prominent and blended seamlessly with the underlying herbal notes from the green tea. It was the perfect tea for a dessert house since its flavors were not unbearably thick and dark as with most other herbal teas intended for consumption with more significant main dishes as a counterpoint to meaty and savory flavors.
Having found some state of sweet nirvana in the melange tea, I was happy to find that the pastries had finally arrived, presented simply in tandem upon an elegant glass plate. The flan sesame miel (bottom left) was delightful. Its black sesame flan cradled by the flaky pate choux crust made a beautiful pairing. I am personally of the opinion that the use of black sesame in any dessert should respect the integrity of the fragrant flavors of black sesame. Most Chinese desserts tend to succeed in this regard, while others tend to abuse the flavors of this delicate ingredient by oversaucing or cloying sweetness. I am happy to report that Sadaharu AOKI was of the latter school of thought: the flan sesame carried the natural flavors of the black sesame elegantly and simply, though I wish the flavors were emboldened just a tad bit more. A surprising finish to this dish was the sprinkling of dried nori and white sesame, though I was not sure whether or not any of these flavors lent anything to this dish apart from pure shock value and traditional Japanese flavor that was both quaint and visually stimulating.
The duomo macha azuki was nothing short of remarkable, however. The smooth flavors of the cool azuki filling were ecnased in a light green tea shell, married well with a chocolate paste and a baby green tea macaroon. The dish was a whimsical reinterpretation of the French-style macaroon - its flavors bold and brassy but light and refreshing to taste. It definitely follows the model of most French-Japanese desserts, which is to say that they are stylistically intricate but do not leave you feeling heavy at all. This is one dessert I could eat over and over again. Suffice it to say, this dessert has most certainly won its place on my list of desserts I would willingly walk a mile for in the freezing cold (fortunately for me, with the glorious summer heat, I didn't have to).
Prior to my Monday night departure, I made it a point to revisit Sadaharu for a chance to catch their black sesame eclairs before returning to London. It was my lucky day! Not only did they have their famous black sesame eclairs, they also had their opera cake as well! So, what is a foodie to do except to order them both?
This time around, I definitely fit the role of older but wiser, namely because I had spent an exorbitant amount of money over the week and was reluctant to spend any more than I had to. So, when offered the chance to eat "sur place," I politely declined and asked to have my pastries wrapped to go (ala "sur cheapo," or something to that effect).
With my arsenal of afternoon goodies tucked under my arm in a quaint carrying box, I made my way to the local park near the Pompidou Center to savor my latest purchases, though I found it difficult to keep myself from attacking them head-on while riding on the subway....I proudly managed to restrain myself. Upon arriving at the park and finding myself a seat alongside the main road, I tore open the packaging to gaze admiringly at these two gems, tempting me with their luxurient, calorific goodness:
But looks can be very deceiving. And, in this case, they were disappointingly so. The black sesame eclair I had heard so much about was a disappointment from the very first bite: a soggy pastry shell. The filling had a notable black sesame flavor, but could have definitely used a lot more. Unlike the flan sesame miel I had tried previously, the black sesame filling in the eclair seemed almost timid at best, as if afraid of its own black shadow (and all its sesamey goodness). To further the problem, the eclair also had an unnecessarily cloying iced topping that only served to mask the natural pungency of the black sesame interior. I wonder if the pastry chef resorted to using the iced topping as campy compensation for the otherwise dull flavors of the eclair....or so it would seem.
Even more disastrous was the "much-acclaimed" opera cake, which was in essence a layered mess of melty chocolate ganache and not-so-satisfying hazelnut cream. The flavors of this dish worked against each other, creating a dessert-style warfare for the senses that left me feeling utterly shell shocked. And, to make matters worse, the cake suffered from the same disease that plauged the sesame eclair: cloying sweetness. I'm of the impression that the pastry chef (probably suffering from a hangover as a result of previous night's festivities) hoped to mask the inadequacies of these creations with a cloying sweetness, hoping that the average audience would be too imperceptive to notice the difference. That's giving him the benefit of the doubt.
But, in spite of my negativities, I would remind myself of the more positive experience I had the first time running: the well-married flavors of the duomo macha azuki, the wonderful fragrance of the flan sesame miel, the enchanting melange tea. I would give this place the benefit of the doubt by concluding that even great patisseries are capable of having a bad day or two. Yet, I would also do well to remind myself (and others) that it is important, when sampling flavors of new restaurants or bakeries, that the best thing to do is follow your gut, not popular opinion.
SADDAHARU AOKI
Atmosphere: *** (3/4)
Food: **** (4/4)
Service: ** (2/4)
Value: ** (2/4)
35, rue de Vaugirard 75006 / Tel : 01-45-44-48-90 / Fax : 01-45-44-48-2911: 00 am to 7: 00 pm
56, boulevard Port Royal 75005 / Tel : 01-45-35-36-80 / Fax : 01-45-35-34-138: 00 am to 7: 30 pm-closed on Sundays





Oh, droool man! I wish I was there with you. Black sesame is my single most favorite ingredient in desserts...sigh, they all look so dreamy :) What day do you come home? - looking forward to delicious eatings!
Posted by
Kathy |
8:35 PM
Well again I'm going to need a month to get through this post & I haven't finished the July 11th post yet..I got greedy...but I just wish I'd ordered what you ordered -the greenie round thing instead of the chocolate opera cake at Sadaharu..it's on my to-paint list..actually I tried 2x & I'm not yet happy with the results :( Back to reading...
Posted by
ParisBreakfasts |
5:37 PM
Ah HA I totally agree on the opera cake..I had to scroll to find it..I ordered it solely because I thought it might be fun to paint :( But damn those Matcha choco bars looked interesting..did you try one? back to reading..
Posted by
ParisBreakfasts |
5:39 PM
Dear Kathy,
You and I need to go to Chinatown and hit up the bakeries. Seriously. Black sesame soup -- plain and simple -- that is what I've been looking for all summer, but apparently London is the culinary low of Europe.
~Justin
Dear Carol,
Oooh, no I didn't get a chance to try the choco bars! You'll have to try them for me! One thing can be said (to their credit though): their pastries certainly are great muses for art.....if you ever manage to paint some Sadaharu creations, let me know because I'd loooove to see it!
~Justin
Posted by
J. Lo |
12:49 AM
J.Lo, I will definitely do a post on Aoki and gt the damn painting done like it or not...those black teapots (Tetsubin) are not easy to paint either...I'm not giving up yet
Posted by
ParisBreakfasts |
2:28 AM
Hello,
should I say that, if you found the Opera cake to sweet for your taste, you should try to find a time travelling machine, and have an Opera in Paris in the 70's, not to say in the 1870's! It was the richest of all pastries to be found, a kind of parangon of XIXth century taste for heavy food. Sadaharu's Opera is a kind of cultural experiment, the past of french pastry renewed by a young japanese eye. In fact, he has been successful in finding the way to produce the best Opera possible. Given the fact that Opera in itself isn't the best pastry ever at all!
The macha bars are very enjoyable to my taste, but you have to be an adept of white chocolate. If you prefer black, try the bitter black chocolate with torrefied black sesame. For my taste, it is the best thing Sadaharu has created!
and much congratulations for your passion !
Egmont Labadie, journalist (gastronomy and wine)
Posted by
Egmont |
7:32 AM